The Abandons' Is Everything Wrong With TV in 2025
'The Abandons' Is Everything Wrong With TV in 2025
I was genuinely excited. We all were. When the trailers dropped for 'The Abandons'—the highly anticipated, mega-budget frontier drama launching the new flagship streaming service, 'Apex Prime'—it promised a return to prestige television. A sweeping, ten-part epic featuring three Oscar-nominated actors and a reported budget exceeding $30 million per episode. It was supposed to be the moment TV proved it could still deliver groundbreaking, original storytelling.
Instead, three weeks into its run, 'The Abandons' has abandoned all hope of being great. It's boring, bloated, predictable, and cynical. It is not just a bad show; it is a meticulously engineered corporate product that perfectly encapsulates every toxic trend plaguing the television landscape in 2025. It serves as a stark warning: The metrics now matter more than the masterpieces.
The Endless Cycle of IP Recycling and Franchise Fatigue
The single most glaring issue facing modern production studios is the terrifying aversion to true originality. If a story isn't based on a forgotten comic book, a foreign-language short film, or—most commonly—a highly successful show from two decades ago, Hollywood doesn't want to touch it. 'The Abandons', despite its glossy veneer, is the latest symptom of this sickness.
While the writers claimed it was a completely fresh concept, the narrative structure and character archetypes are instantly recognizable copies of classic westerns mixed with the moody, philosophical dialogue popularized by 'True Detective.' It feels less like inspiration and more like a carefully curated mood board of previous successes. This isn't storytelling; it's intellectual property (IP) repurposing.
The industry justifies this decision by pointing to perceived safety. They argue that known commodities minimize financial risk. However, what they truly achieve is massive viewer burnout. We are now drowning in derivative content. Every new release is either a sequel, prequel, spin-off, reboot, or a thinly veiled homage that lacks the soul of its inspiration.
For 'The Abandons,' this manifests in plot points that feel inevitable, even cliché. The tortured anti-hero, the powerful land baron with a secret, the indigenous woman seeking justice—these roles are performed admirably by the A-list cast, but the scripts give them nothing new to chew on. They are simply filling established templates, ensuring that the viewing experience is one of comfortable, expensive mediocrity.
This reliance on familiar tropes guarantees that genuine, disruptive creativity—the kind that gives us truly iconic series—is increasingly marginalized. Why bet on a wild card when you can pump out another safe, $300-million gamble that vaguely reminds people of something they loved ten years ago?
Metrics Over Masterpiece: The Algorithm's Grip on Storytelling
In 2025, television writing rooms no longer seem to be guided by artistic vision; they are guided by data analytics. The primary goal of any modern series is not to tell a complete, satisfying story, but to maximize viewer retention and minimize cancellation risk. 'The Abandons' is built, episode by episode, to feed the algorithm.
How do we know this? Look at the pacing and structure. Episodes 1, 3, 5, and the season finale (Episode 8, because full ten-episode runs are extinct) all end with massive, unexplained cliffhangers or shocking, unearned character deaths. These are not dramatic necessities; they are engagement traps designed to force viewers into clicking 'Next Episode' immediately.
The rise of the data-driven model has severely compromised narrative integrity. Stories are constantly interrupted, stretched thin, or needlessly complicated to ensure peak "watch time" statistics. Furthermore, the episode runtimes have become brutally efficient.
- **The Cold Open Bloat:** Every episode starts with a lengthy, often unnecessary, cold open to ensure the initial engagement metrics are high.
- **The 42-Minute Standard:** Episodes rarely exceed 42 minutes (excluding credits), a data sweet spot identified for maximum binge efficiency without requiring too much commitment.
- **Forced Pacing:** Plot development is sacrificed for rapid-fire "OMG moments," which look great in a promotional sizzle reel but leave the emotional stakes feeling hollow.
Critics of 'The Abandons' repeatedly cite the frustrating lack of character development in the middle episodes. These episodes are the ones the algorithm knows viewers are most likely to drop off from. Therefore, the focus shifts from deepening the story to introducing secondary conflicts or convoluted side plots solely intended to push viewers to the next, more dramatic cliffhanger.
The result is content that feels optimized, but rarely satisfying. It's fast food cinema: instantly consumable, highly palatable, but leaving you hungry for something real soon after.
The Budget Bloat and Streaming Saturation Dilemma
The staggering $30M per episode cost of 'The Abandons' is not a flex; it's a financial burden that distorts the entire television ecosystem. This massive investment stems from the frantic need of streaming platforms to land a single, high-stakes hit that justifies perpetually increasing subscription fees and attracts global attention amid severe market saturation.
Every major streamer is now locked in an unsustainable arms race for 'peak content,' pushing budgets to absurd heights for guaranteed visuals—massive battle scenes, sprawling CGI environments, and celebrity salaries. The content must look expensive, even if the writing is cheap.
This focus on blockbuster production has a hidden, destructive consequence: the extinction of the middle-ground show. For every mega-hit like 'The Abandons,' ten quieter, riskier, more nuanced projects get canceled or simply never greenlit because they don't promise the immediate global subscriber spikes required to offset the platform's economic volatility.
The budget dedicated to one season of 'The Abandons' could have funded five or six unique, smaller series—dramas, comedies, or international collaborations—that offered genuine diversity in voice and theme. Instead, all resources are funneled into these high-stakes, safe bets that often fail to deliver revolutionary storytelling, merely revolutionary costs.
Furthermore, viewers are exhausted. Subscription fatigue is real. In 2025, the average household struggles to afford four or five major services, all demanding attention with their own exclusive, multi-million dollar flagship dramas. When a show like 'The Abandons' fails to meet the hype—and critically, fails to be truly original—it doesn't just disappoint; it fuels viewer resentment towards the entire expensive, overcrowded streaming landscape.
A Call for Subversion and Soul
'The Abandons' is not a total artistic failure, but it is a monumental industry failure. It is a calculated piece of content engineered to tick every box on a corporate spreadsheet: high production value, recognizable themes, massive marketing spend, and cliffhangers designed for maximum viewer retention.
It represents a television industry that has become too risk-averse, too data-driven, and too reliant on recycling its own past glories. If 2025 is truly the year that streaming matures, it needs to move past simply throwing money at familiar concepts designed to appease the algorithm.
We, as viewers, deserve shows with soul—shows that take genuine narrative risks, accept lower budgets for higher creativity, and prioritize a satisfying conclusion over a mandatory cliffhanger. Until the major studios 'abandon' their reliance on these restrictive metrics and IP safety nets, we will continue to watch expensive, predictable shows that are technically flawless but emotionally empty.
The future of television rests not on how much money is spent, but on whether executives are brave enough to finance the stories that truly need to be told, rather than just the stories that the data suggests will keep the subscription wheel turning.
The Abandons' Is Everything Wrong With TV in 2025
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